Digital Divination

Digital Divination is a pedagogical practice between myself and artist & organizer, Erica Kermani. It has taken many forms over the years including: A graduate course taught at Parsons Design & Technology, a workshop at NYC Resistor, A class at the School for Poetic Computation, and a research compilation which can be found here.

In Digital Divination we challenge how western and capitalist hegemonies have shaped technology to serve systems of oppression and extraction. We instead draw from mystical practices of the global majority to speculate ways of building harmonious relationships between machines, humans and non-humans. We look at both ancient and historical precedents as well as contemporary artists to explore ways technological artifacts carry sacred value particularly in non-western and post-colonial contexts, and furthermore, how rituals themselves can be seen as forms of computation in their ability to transmit information and create and/or maintain networks. Participants synthesize discussions to then design their own oracles, thinking critically about intention, interpretation, and interaction. We use generative techniques and tools such as Markov Chains, ml5.js, and randomness to develop browser-based (p5.js) scrying tools.  No prior programming knowledge or experience required. 

A pixelated gif cycling through different images of traditional divination tools from around the world
Aarati and Erica with students at the NYC Resistor workshop sit at a long wooden table with laptops and cables.  Aarati, Erica, and some others smile for the camera. The rest work on their computers.
NYC Resistor <3
screenshot of participant's browser-based oracle project. The background is a forest green with white text that reads: “It’s a way to care for one another, to work in concert in a place–to know it, to give a fuck.  To be a gardener is to give it air and attention; to reimagine it.  I do know, though, that my commitment to it.” At the bottom of the image sits a white text box that reads in black text “Am I ok?” with the “submit” button in gray on the right.
Sal Tuszynski
A projected image generated of yellow and green pixels forming two connecting triangles on  a black background. A person’s silhouette is on the right facing the projection.
Work by Zach Krall
A projected image generated of yellow and green pixels forming two connecting triangles on  a black background. A person’s silhouette is on the right facing the projection.
Work by Zach Krall
Screenshot of participant's browser-based oracle project. The background is a forest green with white text that reads: “It’s a way to care for one another, to work in concert in a place–to know it, to give a fuck.  To be a gardener is to give it air and attention; to reimagine it.  I do know, though, that my commitment to it.” At the bottom of the image sits a white text box that reads in black text “Am I ok?” with the “submit” button in gray on the right.
Annie Hoang
Hi, Do you have capacity? by Celine Lassus
Website screenshot
https://candlelarium.com/ by Murilo Gasparretto



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